Line 6 HX Stomp Patches

Dual Amp Patch using the Placater Clean and Placater Dirty. Three Snapshots: Snapshot 1: Clean, Snapshot 2: Crunch Snapshot 3: Gain. Tested with Les Paul (humbuckers), Suhr Modern T (humbuckers), Fender Telecaster (single coils), and an ESP w/active EMGs. Works well with both single coil, humbuckers, and EMGs. Gain works great with humbuckers and EMGs and good with single coils, too.

Uploaded 10 months ago

Uploaded 10 months ago

Uploaded 10 months ago

Based on the low input of my handwired JCM 800 clone with a 57/121 on greenback 4x12. To my ears this is an exact match. Great clean pedal platform amp. Snapshots move the 121 to increase/decrease bass response for feel and clarity

Uploaded 10 months ago

I'm using the HX Stomp with a PowerCab Plus and a tele. Going for a heavy rhythm tone here. Use this one in stomp mode to add a megaphone filter and lo-fi delay.

Uploaded 10 months ago

This is the ambient tone I use in most of my videos. I use the EHX Oceans 11 and Canyon Delay with stomp, so I tried to mimic those settings using stomp only for you all. Snapshot 1: Basic Clean tone, great for finger style and basic chords. Snapshot 2: Driven amp tone with medium verb, great for leads, drawn out chords, or whatever you may use it for! Snapshot 3: Ambient. This is the main setting I use and has dual reverbs. This is good for anything ambient, and works great for swells with volume swells.

Uploaded 10 months ago

updated version of the other SUPRO .YOUTUBE CLIP NOW UP . the other version was quiet and not as good all around on every guitar , THIS VERSION IS LOUDER BETTER AND USED OWNHAMMER IR VOX BLUES 212. https://youtu.be/vJAdep7yu8U

Uploaded 10 months ago

A country patch that has a bit of dirt in it, based on Brad Paisley's tone. AC30 with 2x12 Blue Alnico cab and some slapback. DEMO VIDEO

Uploaded 10 months ago

Hey! my SVT tone, Stomp edition. Dyna Drive -> 2 Ampeg SVT (Normal e Bright Ch) in parallel, 8x10 Cab e, last but not least, L.A. Comp. Sound created with a Bass P 51 style. Support Music, not Rumors (cit.) have a fun, ciao

Uploaded 10 months ago

Uploaded 10 months ago

Preset made for 3 Snapshots !!!!.........COMFORTABLY NUMB SOUND with 3 channels...........Note: Normally I use IR's, but I have modified these presets to be able to share them, and I have changed the IR's that I normally use by CAB's from the HX stomp itself.

Uploaded 10 months ago

Preset I use for solo jazz guitar gigs. I use the neck pickup on my Yamaha SA2200 (es-335 style guitar). This preset sounds full, but well balanced for solo guitar playing. Sorry about the naming, I thought I'd be able to change that after upload... lesson learned.

Uploaded 10 months ago

A basic 3 footswitch preset designed for use with a Strat. For more info check out this youtube video: https://youtu.be/Af6sSlHrVD0

Uploaded 10 months ago

This is my version of a modulated "dotted eighth plus quarter note" delay, popularized by U2's The Edge, but used by tons of other artists afterwards. This a direct patch using the Helix cabs and a ribbon mic with proper low/hi cuts applied. The Edge's delay actually comes from a stereo setup with boosts and delay fed into the FRONT of an AC30 or two just on the edge of breakup. What I did was make a mono patch featuring Line 6's "Boost Comp" that gets pretty close using only the 6 blocks. To dial in volume and EQ, adjust the amp controls on the Essex A30. To add gain, I recommend using the "Drive" setting on the Boost Comp, or swtiching on the "Teemah!" overdrive pedal in front of the amp. To add clean sustain and tube like saturation, leave the Drive setting low, but increase the "Comp" setting on the Boost Comp. Reasonable minds can differ on the correct delay to use, but I am running two of the Mod/Chorus Echo blocks in parallel - on handling the dotted eight delay with chorus, and the other with the longer quarter note delays and a subtle vibrato to emulate the array of Memory Man, 2290, and rack units used by The Edge over the years. Feel free to adjust this as you see fit, but I worked with it quite a bit to balance the percussiveness of the dotted eighths with the swirling chorus/vibrato in the background that provides depth. Both delays are synced to the HX Stomp's BPM setting, so they should remain in sync with the tap tempo or BPM adjustments. FS1: Switches between Compression/Clean Tone and Teemah! overdrive FS2: Turns the parallel delay loop completely on or off FS3: Tap Tempo Snapshot 1: Clean, tube-like compression with delay Snapshot 2: Slightly driven tone with delay Snapshot 3: Driven tone with delay off (reverb slightly increased)

Uploaded 10 months ago

Split signal, everything below 350 Hz is seperated to make the bass more clear and thick. Bass tone simulating '74 j-bass pickups. Drive on FS1

Uploaded 10 months ago

This is my go-to acoustic setup for live playing with HX Stomp. It does rely on an IR (I'm currently using the Taylor 610 from 3sigmaaudio.com ... a steal for $10) and sounds great. Use it in stomp mode to add a big reverb and delay.

Uploaded 10 months ago

Bass

Uploaded 10 months ago

"An “all-in-one” bass guitar rig. This is the bass preset that I personally use the most. Ampeg SVT model running in parallel with a compressed DI tone - kind of a basic motown tone with some extra options for effects. Two compressors and an EQ block are always on. The chorus reacts in a really cool way with the octave down effect.FS1 - ChorusFS2 - Octave down (cloned after the Boss OC-2)FS3 - Adds in a bit of overdrive" \ | Premium Helix presets at http://www.AlexPriceMusician.com/store \ | Free Helix preset playlist on YouTube - https://bit.ly/3fk6ANA

Uploaded 10 months ago

Princeton Reverb is one of my favourite amps, unfortunately line 6 doesn't offer a PR yet but this is my attempt at creating one using the tweed champ. To tame the bright, fizzy and buzzy tweed champ, I've created an artificial input 2/low input patch using an input impedance of 136k and -6db pad (same as the input 2 on a real fender blackface). There are 3 snapshots. 1 and 3 are the same but offer different levels of sag. 2 is kind of more boxy sounding, closer to the original tweed patch, I've chosen just to leave it in for reference. Currently using a 1x12 blue alnico with a 121 and 57 but I also enjoy the more fender style cabs if you wanna switch it up

Uploaded 10 months ago

Uploaded 10 months ago